A Splendid Enterprise & a Search for a Letterpress Printer

Publisher note from Suzzanne Kelley
*If you are a letterpress printer, please see my purple note at the end of this message.

Since 2016, the NDSU Intro to Publishing students, working with NDSU Press, have had the chance to learn how to operate turn-of-the-20th-century letterpresses. We begin with a Saturday at Hunter Times, a museum located in West Fargo at Bonanzaville. Having learned about Chandler & Price letterpresses and safety measures, students take a turn at  letterpress printing. Allan Burke–an expert in all matters about letterpress history and operations–provides a tour, and then in small-group format, students begin the process of letterpress printing the chapbook covers for the current winner of our Poetry of Plains and Prairies Award.

 

 

Hunter Times location_Students at work with a Chandler & Price letterpress

Students at Hunter Times, learning to operate the Chandler & Price letterpress, one page at a time. Left to right: Raechel Heuer, Sydney Olstad, Ken Smith.

Later in the semester, on a Friday afternoon, we load up a caravan of cars and head for The Braddock News Letterpress Museum, located on the vast grounds of the South Central Threshing Association. The drive is about two-and-a-half hours from campus, and for some of my students, it is the farthest west they’ve ever been.

On Friday night, our host, Allan Burke, gives the students yet another tour. The Braddock News Letterpress Museum is home to multiple pieces of equipment dating from the late 1800s to the 1950s. Here, the students have hands-on access to Chandler & Price letterpresses, a 1940s stitcher, and a trimmer, dating also from the turn of the 20th century.

 

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Fall 2019 Intro to Publishing students at the Braddock News Letterpress Museum, working on the chapbook publication, Harvest Widows, by Nick Bertelson. Students pictured from left to right are Laura Ellen Brandjord, Kalley Miller, Ryan Nix, Nataly Routledge, Zachary Vietz, and Alexis Melby.

Following our museum tour, we dine sumptuously courtesy of the Threshers Association Iron Men and board officers, some of whom do the welcoming, cooking, serving, and cleaning. Initial printing begins after supper.

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Publishing student Samantha Soukup dishes up some homemade stew at Miss Kitty’s, the food hub (and pitstop) for our publishing team while on site at The Braddock News Letterpress Museum.

The students learn about moveable type, and we generally put that knowledge to work when we print our covers. For printing the interior, however, we do resort to some modernization. It would take too long to set type for the forty interior pages, so we order up raised-magnesium printing plates instead. Each plate prints two pages on one side of a sheet of paper. When the papers dry, we can flip them over to print two more pages.

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Sample plates for printing pages from Harvest Widows, by Nick Bertelson. (Photo by Tim Jensen Studios.)

 

Land of Sunlit Ice_ink drying at Braddock

Maggie Krull, setting sheets out to dry. In the background, Angela Beaton and volunteer Jerome Schwartzenberger, retired publisher of the Napoleon [ND] Homestead, make sure everything is right.

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Braddock_Photo by Ken Smith

Our team finishes up the final copies of Land of Sunlit Ice, by North Dakota Poet Laureate Larry Woiwode, the first chapbook project of our series. From left to right: Sydney Olstad, Amanda Biles, Jerome Schwartzenberger, Raechel Heuer, Clarence Hertz, Suzzanne Kelley, Angela Beaton, Allan Burke, Maggie Krull, and Ken Smith.

We start this enterprise as amateurs, and we finish as proficient Devils Printers…the official name for our interns with experience under their belts and ink under their fingernails.

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In this, the year of the pandemic, our options for continuation of this splendid enterprise have become limited for the production of our newest addition to the chapbook series, A Muddy Kind of Love, by Carolyn Dahl. We must cut out our trip to Braddock. We’ll still meet face-to-face in small groups (optional, not required) at Hunter Times to print our covers for the newest addition to our chapbook series. Our current plan (subject to revision) is to hire a professional letterpress printer to print and assemble the interior. If you or someone you know fits the bill, please contact Suzzanne Kelley post haste for details. Contact information is available at our website.

 

 

 

 

Now Accepting Submissions for the NDSU Press 2020 POPP Award

We’re looking for poetry! NDSU Press has opened its 2020 submissions portal for our Poetry of the Plains and Prairies (POPP) Award!

North Dakota State University Press seeks poetry submissions of any style for our annual POPP Award chapbook publication. While the author(s) may call any place home, their submissions must deftly capture the feeling of, as well as the reality of, living on the plains and prairies. Authors may submit any number of poems equaling thirty to thirty-five pages in length, with no more than one poem per page. (Single poems may extend more than one page.) The selected poetry collection will be published as a limited edition chapbook, hand-printed with antique letterpress equipment.

Our POPP Award submissions date ends March 17, 2020. Please follow our NDSU Press Submittable link for details.

NDSU Press publishing interns print the 2019 POPP Award chapbook, Harvest Widows, by Nick Bertelson (Missouri Valley, IA) at The Braddock News Letterpress Museum.