When an Author Hits Gold

Publisher note from Suzzanne Kelley

Sometimes a first-time author strikes gold. Such is the way with Rebecca Bender, whose book, Still (NDSU Press, 2019), has been raking in the awards and whose essays and poems are now seeing publication in national newsletters and magazines. Much to her (and our) delight, her work is even cited in other works of scholarship, such as historian David Moon’s The American Steppes: The Unexpected Russian Roots of Great Plains Agriculture, 1870s-1930s (Cambridge University Press, 2020).

Rebecca Bender in ND Sunflower Field in November by Lincoln Bernhard

Rebecca recently won the Gold Medal in the category of Religion & Philosophy from the Midwest Independent Publishers Association’s Midwest Book Awards. Prizewinners compete in a twelve-state region, so her recognition is phenomenal. Still also won First Place in the internationally-competitive Independent Press Award for Judaism.

Rebecca will be the first to tell you that she did not win these awards on her own. She shares authorship with her late father, Kenneth M. Bender (1916-2006). During the last two years of his life, he hand-wrote page after page of his vivid memories. Rebecca typed up his notes with the agreed-upon compensation at the end of each of their working sessions: a shared chocolate milkshake. His and her memories, her exhaustive research and attention to detail reveal a splendid little-known history of Jewish families on the northern plains.

FINAL Penultimate Cover

I will be the first to tell you that Rebecca’s recognition is the result of hard work. I first met her as she and a community of celebrants from across the United States met in the town of Ashley, ND. Rebecca’s efforts had resulted in the successful nomination of the Ashley Jewish Cemetery to the National Register of Historic Places. Rebecca shared the fruits of her research that day in a wonderful story (that included a skit, a song, and a sit-down dinner). I expressed my hope that she would work on a larger project; I am grateful that she was already thinking along those lines.

A former securities litigator in Minnesota, Rebecca has always enjoyed history and hearing uplifting stories, taking pride in family and Jewish traditions, feeling gratefulness and appreciation for life in America, where she and her son are free to practice their religion and to work hard to achieve their goals.

You can read Rebecca’s most recent essay, published July 23, 2020, by the Jewish Book Council, here: Gold from the Prairie, by Rebecca E. Bender.

About Still

More than four hundred Russian and Romanian Jewish homesteaders settled on about eighty-five farms in McIntosh County, North Dakota, beginning in 1905. After clearing rocks and boulders, growing wheat and flax, raising cattle and chickens, and selling cream from their sod houses, most were successful enough to own their own land.

Still is a history of five generations, a family we meet first as they flee Odessa and last as they make their ways as American Jews…and as Dakota farmers, as students and storekeepers, as soldiers and lawyers, and even as a teen in an international competition who stands face-to-face with Netanyahu. Rebecca Bender and Kenneth Bender answer the question recently posed to Rebecca by a newspaper reporter: Are you still Jewish?

Still is available through online sites and at your favorite independent bookstore, as well as direct from North Dakota State University Press.

 

The Folk School on Willow Creek

Publisher note from Suzzanne Kelley

Welcome to the Folk School on Willow Creek, featuring University Distinguished Professor Tom Isern, singing and telling stories from the Salon on Willow Creek. Every Friday evening, 8:00 p.m. Central Time, Isern belts out ballads and tells the backstories of the lyrics, the authors, and the people of the plains who sang the songs. This Friday, July 25, he’ll feature “The Letter Edged in Black.” Do you know the significance of the edging? Tune in . . . you’ll find out. The Folk School lasts about 30 minutes, but you’ll wish it lasted longer. This week’s program is the 14th in the series.

Here is a link to Prairie Public’s Main Street, where host Doug Hamilton interviewed Isern just this week about the Folk School.

And here is a link to the Folk School page on Facebook.

2020-07-17 20.14.19

Literary Aspirations on the Northern Plains

Publisher note from Suzzanne Kelley

In late September, NDSU Press will be visible in multiple sessions and responsibilities at the 55th Northern Great Plains History Conference for 2020. Too bad for all of us, our sessions will be virtual, but I still look forward to witnessing the splendid work from scholars across the United States and Canada. While the conference is by necessity going virtual, its home base will still be Eau Claire, Wisconsin, the sacred and ancestral lands of the Ojibwe and Dakota Nations.

Two of our NDSU Press authors and I will present papers in the session called Literary Aspirations on the Northern Plains, wherein…

Prairie scholars describe and reflect upon their literary aspirations and their place in the history of the northern plains. The first author examines the seventy-year history of publishing by the Institute for Regional Studies; the emergence of its publishing imprint, North Dakota State University Press; and its vision as the voice of the prairies and the plains. The second author reflects on his ambitions and audacity in roasting that great chestnut of regional history, the Nonpartisan League. The third author considers how best to invigorate the familiar genre of collected essays in the realm of regional literary nonfiction.

Here are the session participants:

Jeanne Ode

Jeanne K. Ode

 

 

 

Moderator: Jeanne K. Ode, Acting Press Director and Managing Editor of South Dakota History, South Dakota State Historical Society Press

Suzzanne4

Suzzanne Kelley

Paper 1: “Serving, not only the scholarly world, but the world in which the scholar lives”: North Dakota State University Press Celebrates 70 Years. Suzzanne Kelley, Publisher and Assistant Professor of Practice

 

shoptaugh

Terry L. Shoptaugh

Paper 2: Roasting a Chestnut: Historians Return to the Nonpartisan League. Terry L. Shoptaugh, Archivist and Professor of History (Ret’d.), Minnesota State University–Moorhead

 

Tom

Thomas D. Isern

Paper 3: Doing History in Grassy Places. Thomas D. Isern, University Distinguished Professor and Professor of History, North Dakota State University

 

grettler

David Grettler

 

 

Commentator: David Grettler, Professor of History, Northern Sate University, South Dakota

 

 

 

 

We invite YOU to attend the session and/or the whole conference, September 16-19, 2020. Follow along for updates here: 2020 Northern Great Plains History Conference.

NGPHC

“Bestsellers Born in Social Media”

from Suzzanne Kelley, PhD; Publisher at NDSU Press

While peeling apples and baking pie Saturday, I listened to one of my favorite podcasts, Beyond the Book, hosted by Copyright Clearance Center. Their hot topic, “Bestsellers Born in Social Media” (September 1), focuses on an interview with an agent, talking about how publishers must encourage their authors to have some sort of social media platform. Better yet, authors should have a solid social media platform before even submitting their manuscripts. Yes!

Some authors are daunted by the prospect. After all, much of their authorial life requires working solo, and now we’re asking them to go public. My takeaway from the podcast, however, is that being an author IS being public. Editors make editorial and business evaluations. (Ahhh, but that we could only stick to the editorial!) Paraphrasing commentary from the podcast, publishing is at heart “a business of the gut,” but in order to be successful, it must also be a business. As such, publishers must consider the marketing prospects for any manuscript.

If you are a writer, and you have hopes of adding “published author” to your resume, start working on your social media platform now. Common practice invites authors to begin with a website. As you add content to your web presence, that content can easily be transported to your other social media domains. Starting with a website is not the easiest platform, although free website hosts like WordPress do make the process a good starting place. My preference, my comfort zone, is with  easy-to-use social media like Facebook, but I also highly recommend creating an author page on Goodreads.

It doesn’t matter where you begin, only that you start. Here is a list of the platforms I’ve found most productive and easiest to use, with hopes in the near future to add podcasting in the mix.

  1. Facebook
  2. WordPress
  3. Twitter
  4. Goodreads
  5. Instagram
  6. Pinterest

The best way to start, of course, is to start! Here are some examples of easy social media posting commentary:

  • Testing out a few lines of poetry? Say so. Maybe even include a phrase or a line.
  • Writing from your favorite nook? Say so. Maybe include a picture of your space, possibly with you in it!
  • Visiting the archives and finding some fabulous document supporting your argument? Say so. And include a cell phone pic (if allowed . . . mind the archival site rules).
  • Out for an evening stroll and spying a beautiful sunset? Say so. And include a cell phone pic.
  • Enjoying a dinner out with friends? Say so. And include a cell phone pic.
  • Working on obtaining blurbs for your new book? Say so.
  • Corresponding with your publisher? Say so. You can include a pic of our logo or a link to our website http://www.ndsupress.org. 🙂
  • Feeling angst about posting on Twitter? Say so. Blame it on your publisher.
  • Having an author photo made? Say so. And include the pic.
  • For more ideas & to build up your following, follow other social media users . . . like us, at NDSU Press.

Bitter Harvest

from Suzzanne Kelley, PhD; Publisher at NDSU Press

Imagine my surprise to open The Forum of Fargo-Moorhead and find its announcement that it has “been here for 127 years,” showcasing their longevity with a shootout in Medina. It’s been a while since this ad appeared, and even longer since NDSU Press published the hard story of Bitter Harvest: Gordon Kahl and the Posse Comitatus, Murder in the Heartland, by James Corcoran, in 2005. Bitter Harvest is based on Corcoran’s Pulitzer Prize nominated coverage of the murders of three U.S. Marshals by a militant tax protest group.

TheForum.jpg

At the time of Bitter Harvest‘s publication, I was working on my PhD in history and holding an editorial fellowship with the publishing arm of the Institute for Regional Studies (now NDSU Press). I was planning a drive out to Kulm, ND, to conduct an interview for my dissertation, and Dean Tom Riley (now retired), who was director of the press at that time, asked me to shoot some pictures near Medina, where two decades earlier a deadly shootout occurred between the law and anti-taxer Gordon Kahl and other members of the Posse Comitatus. Federal marshals died, Kahl’s son was mortally wounded, and Kahl made his escape. (I won’t tell you how this story ends except to say it’s not pretty.)

There was not much to photograph that told a story, to my way of thinking. But Riley assured me that the cover designer would make something of my pictures. And so she did, capturing the stark stretch of highway where the shooting took place.

Bitter Harvest_Cover

From the book’s publicity copy, we learn: “James Corcoran tells the story of Gordon Kahl and the Posse Comitatus, using captivating narrative and vivid imagery. Sunday, February 13, 1983, was a sunny day in Medina, North Dakota–a seemingly peaceful church-going winter day. But hate politics were broiling in secret locations and the Heartland provided cover for those who wanted to take the law into their own hands. ‘Something terrible, and terribly important, was taking place,’ writes Corcoran. Ever a page-turner, reflect again on this story of violence and how a group of people can construct an alternative version of the law and the truth.”

1983. Not that long ago. A story still relevant today, even as it makes an appearance in a newspaper ad.

Movies, documentaries, and songs followed in the months and years–some showing Kahl a villain, some making him out as a martyr.

Bitter Harvest was first published by Penguin Press published in the 1990s and then by NDSU Press in 2005 with a new foreword by North Dakota journalist Mike Jacobs, former publisher of Grand Forks Herald.

Bitter Harvest: Gordon Kahl and the Posse Comitatus Murder in the Heartland is available at our online store.

More resources:
Altered Lives: Stories from the Medina Tragedy, documentary by Prairie Public, 2016
Death & Taxes, documentary, 1993

 

 

It’s All in the Numbers

from Suzzanne Kelley, PhD; Publisher at NDSU Press

Did you ever wonder where ISBNs come from and what they are all about?

Publishers must purchase a unique ISBN–International Standard Book Number–for every book they publish. If a single title, such as our Boy Wanted, by Ryan Christianson, for example, is also published as a digital version, then both the print and the digital versions have their own unique ISBN. Interestingly, the LCCN–Library of Congress Number–is unique to the title, no matter how many forms the title takes on: print hardcopy, print paperback, digital, or audio. So, Boy Wanted has two ISBNs and one LCCN. Likewise for Pacing Dakota, by Thomas D. Isern, which is published as a print version and soon to be released as an audio version.

9781946163066_29-95_ean BARCODE ISERN

ISBN barcode for hardcover print version of Pacing Dakota, by Thomas D. Isern

Bowker Identifier Services is the only US agency where ISBNs may be purchased. Bowker notes that the ISBN serves multiple purposes:

  • identifies a book’s specific format, edition, and publisher
  • links to essential information about your book
  • enables more efficient marketing and distribution of your title
  • is required by most retailers
  • is the global standard for book identification
  • improves the likelihood your book will be found and purchased

A single ISBN number costs $125 today. If you buy enough for multiple books, your per unit cost goes down significantly. At NDSU Press, we have twice purchased in blocks of one hundred ISBNs. Prior to 2007, ISBNs contained ten digits. Since 2007, a standard ISBN has thirteen digits.

The ISBN is a digital code, and once you learn how to read it, you’ll know more about your book purchase. So, what do the numbers in an ISBN stand for?

Let’s take the thirteen-digit Pacing Dakota ISBN once more: 978-1-946163-06-6. Notice that the ISBN is divided into five parts, each separated by a hyphen.

  • 978 : Prefix element; indicates that the book is published in the United States
  • 1 : Registration group identifier; A “0″ or “1” indicates the book is published for speakers of English.
  • 946163 : Registrant element; identifies the publisher; This particular number is unique to North Dakota State University Press.
  • 06 : Title identifier; In combination with registrant element, the title identifier indicates the singular unit of publication. This number is unique to a specific title in a specific format.
  • 6 : Check digit; The check digit ranges from 0 to 10 [X is used for 10] and is a way to check for any errors within the code. To explain the check digit further–which I won’t do here–requires converting the thirteen-digit code to a ten-digit code (there are online conversion services that do this for free) and then computing a series of multiplication actions. Let it suffice to say, the system works.

Here is a link to a fun Bowker video with more information about the purpose and benefits of ISBNs.

And in wrapping up this article on ISBNs, I’ll close with an image of our old-fashioned ISBN print-out page, where we’ve entered title names, matching them with their ISBN identities. We do this officially online nowadays, but for the sake of continuity in our history of record keeping, we continue to hand-write each entry.

2018-11-20 17.16.46

 

Making Audible Noise

from Suzzanne Kelley, Publisher at NDSU Press
Our tagline (courtesy of an article in North Dakota Living) is “NDSU Press gives region a voice.” WELL, we are taking that “voice” to a whole new level. In the works right now is our first Audible book!
 
Graduate student Amanda Watts, who in addition to working on a PhD in Rhetoric, Writing, and Culture, has been taking on credits for the Certificate in Publishing. Her project this semester is to learn all the ins and outs of publishing an audio book through the Audible platform.

As producer for the project, Amanda collaborates with author Thomas D. Isern to deliver his recent NDSU Press publication, Pacing Dakota, in the audio format. In the publishing business, audio books have been outpacing (so to speak) the rise in sales of any other book format, whether as e-books (whose sales numbers have peaked and are now in decline, waiting perhaps for the next newest technical design for e-readers) or traditional print form (which is on the rise but not at the rate of audio book sales).

Because of Amanda’s interest in this project, and Tom’s willingness to read, we are really excited to be adding a new format to our publication process. If all goes according to plan, the Audible version of Pacing Dakota will be available this summer.

In the meantime, Pacing Dakota (and all of our books) can be purchased directly from NDSU Press at our online store, at your favorite independent bookstore, and through Amazon and Barnes & Noble. (Booksellers and librarians, contact us for wholesale/library discounts.)

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National, Regional, and State Awards

note from Suzzanne Kelley, Publisher, NDSU Press
Our publishing year has been phenomenal, with record-breaking sales and national, regional, and even state book awards that have us all marveling at our good fortune. Check out this list just for 2018:
  • Gold Medal for Young Adult Fiction–General, Moonbeam Children’s Book Award: Apple in the Middle, by Dawn Quigley
  • First Place, North Dakota Library Association Notable Document Award: The Prairie Post Office: Enlarging the Common Life in Rural North Dakota, by K. Amy Phillips and Steven R. Bolduc, with history by Kevin Carvell and photographs by Wayne Gudmundson.
  • Third Place, North Dakota Library Association Notable Document Award: The Bakken: An Archaeology of an Industrial Landscape, by William Caraher and Bret Weber
  • Gold Medalist, IPPY Awards, Cover Design: Derby Girl: A Memoir, by Sammi Jones; cover design by Jamie Hohnadel Trosen
  • Bronze Medalist for Midwest–Best Regional Nonfiction, IPPY Awards: The Prairie Post Office: Enlarging the Common Life in Rural North Dakota, by K. Amy Phillips and Steven R. Bolduc, with history by Kevin Carvell and photographs by Wayne Gudmundson.
  • Bronze Medalist for Science, IPPY Awards: North Dakota’s Geologic Legacy, by John P. Bluemle
  • Finalist, Autobiography/Memoir, Foreword INDIES Award: Derby Girl: A Memoir, by Sammi Jones
  • Finalist (of three), LGBT Nonfiction, Foreword INDIES Award: Derby Girl: A Memoir, by Sammi Jones
  • Finalist (of three), Arts/Photography/Coffee Table Books, Midwest Book Awards: Music at NDSU, by Robert Groves
  • Finalist (of three), Fiction–Literary/Contemporary/Historical, Midwest Book Awards: This Could Have Been a Simple Story, by Ajla Terzic, Translated from the Bosnian by John K. Cox
  • Finalist (of three), Social Science/Political/Culture, Midwest Book Awards: Prairie Mosaic: An Ethnic Atlas of Rural North Dakota, 2nd Edition, by William C. Sherman, new Introduction by Thomas D. Isern
  • Finalist (of three), Social Science/Political/Culture, Midwest Book Awards:The Prairie Post Office: Enlarging the Common Life in Rural North Dakota, by K. Amy Phillips and Steven R. Bolduc, with history by Kevin Carvell and photographs by Wayne Gudmundson.
  • Total Book Design (of three), Midwest Book Awards: The Prairie Post Office: Enlarging the Common Life in Rural North Dakota, by K. Amy Phillips and Steven R. Bolduc, with history by Kevin Carvell and photographs by Wayne Gudmundson; cover and interior design by Deb Tanner
Sydney Olstad and Suzzanne at IPPYS

Sydney Olstad (at left)–a graduate of NDSU and one of the publishing students (now working as a copywriter in New York!) who worked on the book team for Derby Girl: A Memoir and NDSU Press Editor in Chief Dr. Suzzanne Kelley, bringing home the Gold and Bronze from the Independent Publisher  Book Awards Gala (IPPY), May 28, 2018, at The Copacabana, NYC.  Joining in the fun were cover designer Jamie Hohnadel Trosen, author Sammi Jones, and Hayley Burdett, contract manager and former publishing student now working in New Jersey with literary agents and “the Big Five” publishing houses. Photo by Jamie Hohnadel Trosen.

 

 

Paper Camera

note from Suzzanne Kelley, Publisher, NDSU Press
Today my students will be talking about various aspects of publishing gleaned from their reading of Paper Camera: A Half Century with New Rivers Press. This anthology is a project of (I hate to say former, because I am grateful that most of them are still in my life today) colleagues, authors, and students from my days at New Rivers. Here is the poem–written by Minnesota Poet Laureate Joyce Sutphen–that inspired the title of our book:
 
The Paper Camera
 
Someone should invent
a paper camera,
and we could all live
happily ever after
on a page where
the ink is pressed deep
into the words you
are reading now–
words that tell us
how sweet
it was to be alive
in the days of print
and how easy it was
to say sparrow
even in the middle
of winter.
————————-
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Paper Camera is a history of New Rivers Press, told through the memories of its founder and the people who have worked with the press over the decades from 1968 to 2015.  The editors are Suzzanne Kelley and Alicia Strnad Hoalcraft, and the anthology authors include Alan Davis, Thom Tammaro, Deborah Keenan, David Haynes, Clint McCown, Charles Baxter, and many more, with a contribution of ten previously unpublished poems by Joyce Sutphen.